The culture of Japan has evolved greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary hybrid culture, which combines influences from Asia, Europe, and North America. The inhabitants of Japan experienced a long period of relative isolation from the outside world during the Tokugawa shogunate, until the arrival of "The Black Ships" and the Meiji period.
Early works of Japanese literature were heavily influenced by cultural contact with China and Chinese literature, often written in Classical Chinese. Indian literature also had an influence through the diffusion of Buddhism in Japan. Eventually, Japanese literature developed into a separate style in its own right as Japanese writers began writing their own works about Japan. Since Japan reopened its ports to Western trading and diplomacy in the 19th century, Western and Eastern literature have strongly affected each other and continue to do so.
The music of Japan includes a wide array of performers in distinct styles both traditional and modern. The word for music in Japanese is 音楽 (ongaku), combining the kanji 音 "on" (sound) with the kanji 楽 "gaku" (enjoyment). Japan is the second largest music market in the world, behind the United States, and the largest in Asia, and most of the market is dominated by Japanese artists.
Local music often appears at karaoke venues, which is on lease from the record labels. Traditional Japanese music is quite different from Western Music and is based on the intervals of human breathing rather than mathematical timing. In 1873, a British traveler claimed that Japanese music, "exasperates beyond all endurance the European breast."
Painting has been an art in Japan for a very long time: the brush is a traditional writing and painting tool, and the extension of that to its use as an artist's tool was probably natural. Chinese papermaking was introduced to Japan around the 7th century by Damjing and several monks of Goguryeo, later washi was developed from it. Native Japanese painting techniques are still in use today, as well as techniques adopted from continental Asia and from the West.
The flowing, brush-drawn Japanese rendering of text itself is seen as a traditional art form as well as a means of conveying written information. The written work can consist of phrases, poems, stories, or even single characters. The style and format of the writing can mimic the subject matter, even to the point of texture and stroke speed. In some cases it can take over one hundred attempts to produce the desired effect of a single character but the process of creating the work is considered as much an art as the end product itself.
This calligraphy form is known as ‘shodō’ (書道) which literally means ‘the way of writing or calligraphy’ or more commonly known as ‘shūji’ (習字) ‘learning how to write characters’.
Commonly confused with Calligraphy is the art form known as ‘sumi-e’ (墨絵) literally means ‘ink painting’ which is the art of the paintings a scene or object.
Traditional Japanese sculptures mainly consisted of Buddhist images, such as Tathagata, Bodhisattva, and Myō-ō. The oldest sculpture in Japan is a wooden statue of Amitābha at the Zenkō-ji temple. In the Nara period, Buddhist statues were made by the national government to boost its prestige. These examples are seen in present-day Nara and Kyoto, most notably a colossal bronze statue of the Buddha Vairocana in the Tōdai-ji temple.
Wood has traditionally been used as the chief material in Japan, along with traditional Japanese architecture. Statues are often lacquered, gilded, or brightly painted, although there are little traces on the surfaces. Bronze and other metals are also used. Other materials, such as stone and pottery, have had extremely important roles in the plebeian beliefs.
Ikebana (生け花, 活花, or 挿花) is the Japanese art of flower arrangement. It has gained widespread international fame for its focus on harmony, color use, rhythm, and elegantly simple design. It is an art centered greatly on expressing the seasons, and is meant to act as a symbol to something greater than the flower itself.
The four traditional theatres from Japan are noh (or nō), kyōgen, kabuki, and bunraku. Noh had its origins in the union of the sarugaku, with music and dance made by Kanami and Zeami Motokiyo. Among the characteristic aspects of it are the masks, costumes, and the stylized gestures, sometimes accompanied by a fan that can represent other objects. The noh programs are presented in alternation with the ones of kyōgen, traditionally in number of five, but currently in groups of three.
The kyōgen, of humorous character, had older origin, in 8th century entertainment brought from China, developing itself in sarugaku. In kyōgen, masks are rarely used and even if the plays can be associated with the ones of noh, currently many are not.
Kabuki appears in the beginning of the Edo period from the representations and dances of Izumo no Okuni in Kyoto. Due to prostitution of actresses of kabuki, the participation of women in the plays was forbidden by the government in 1629, and the feminine characters had passed to be represented only by men (onnagata). Recent attempts to reintroduce actresses in kabuki had not been well accepted. Another characteristic of kabuki is the use of makeup for the actors in historical plays (kumadori).
Japanese puppet theater bunraku developed in the same period, that kabuki in a competition and contribution relation involving actors and authors. The origin of bunraku, however is older, lies back in the Heian period. In 1914, appeared the Takarazuka Revue a company solely composed by women who introduced the revue in Japan.
Japanese architecture has as long of a history as any other aspect of Japanese culture. Originally heavily influenced by Chinese architecture, it also develops many differences and aspects which are indigenous to Japan. Examples of traditional architecture are seen at temples, Shinto shrines, and castles in Kyoto and Nara. Some of these buildings are constructed with traditional gardens, which are influenced from Zen ideas. Some modern architects, such as Yoshio Taniguchi and Tadao Ando are known for their amalgamation of Japanese traditional and Western architectural influences.
Traditional Japanese clothing distinguishes Japan from all other countries around the world. The Japanese word kimono means "something one wears" and they are the traditional garments of Japan. Originally, the word kimono was used for all types of clothing, but eventually, it came to refer specifically to the full-length garment also known as the naga-gi, meaning "long-wear", that is still worn today on special occasions by women, men, and children. The earliest kimonos were heavily influenced by traditional Han Chinese clothing, known today as hanfu (漢服, kanfuku in Japanese), through Japanese embassies to China which resulted in extensive Chinese culture adoptions by Japan, as early as the 5th century AD. It was during the 8th century, however, that Chinese fashions came into style among the Japanese, and the overlapping collar became particularly women's fashion. Kimono in this meaning plus all other items of traditional Japanese clothing is known collectively as wafuku which means "Japanese clothes" as opposed to yofuku (Western-style clothing). Kimonos come in a variety of colors, styles, and sizes. Men mainly wear darker or more muted colors, while women tend to wear brighter colors and pastels, and, especially for younger women, often with complicated abstract or floral patterns.
The kimono of a woman who is married (tomesode) differs from the kimono of a woman who is not married (furisode). The tomesode sets itself apart because the patterns do not go above the waistline. The furisode can be recognized by its extremely long sleeves spanning anywhere from 39 to 42 inches, it is also the most formal kimono an unwed woman wears. The furisode advertises that a woman is not only of age but also single.
The style of kimono also changes with the season, in spring kimonos are vibrantly colored with springtime flowers embroidered on them. In the fall, kimono colors are not as bright, with fall patterns. Flannel kimonos are ideal for winter, they are a heavier material to help keep you warm.
Through a long culinary past, the Japanese have developed sophisticated and refined cuisine. In recent years, Japanese food has become fashionable and popular in the United States, Europe, and many other areas. Dishes such as sushi, tempura, and teriyaki are some of the foods that are commonly known. The Japanese diet consists principally of rice; fresh, lean seafood; and pickled or boiled vegetables. The healthy Japanese diet is often believed to be related to the longevity of Japanese people.
Sports and Leisure
In the long feudal period governed by the samurai class, some methods that were used to train warriors were developed into well-ordered martial arts, in modern times referred to collectively as koryū. Examples include kenjutsu, kyūdō, sōjutsu, jujutsu, and sumo, all of which were established in the Edo period. After the rapid social change in the Meiji Restoration, some martial arts changed into modern sports, called gendai budō. Judo was developed by Kanō Jigorō, who studied some sects of jujutsu. These sports are still widely practiced in present day Japan and other countries.
Baseball, football, and other popular western sports were imported to Japan in the Meiji period. These sports are commonly practiced in schools, along with traditional martial arts.
Baseball is the most popular sport in Japan. Football is a popular sport in Japan, after J League (Japan Professional Football League) was established in 1991. In addition, there are many semi-professional organizations, which are sponsored by private companies: for example, volleyball, basketball, rugby union, table tennis, and so on.
Read more at: http://en.wikipedia.org/wiki/Culture_of_Japan
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